Jurassic Park roars
The original movie franchise has both bite and intelligence.
David Bowie is interviewed on The Russell Harty Show over a satellite link to rather baffling effect.
☞ by Allen Therisa in Videomatic
Isn't David Bowie wonderfully polite in this interview with the highly impertinent Russell Harty?
It would be tempting to ask at exactly what point "pop stars" ceased being this well-spoken, though Bowie was always distinct from his chart-topping contemporaries - even The Beatles were scousy rough around the edges, despite Paul McCartney's precise inflexions whenever in front of a journalistic microphone.
It is also interesting to note that this 1975 television interview, essentially to promote the movie The Man Who Fell To Earth, came at a complicated stage in Bowie's career. Despite appearances (or perhaps confirming them) The Thin White Duke was at this point a heavy cocaine user and depressed beyond belief following his recent exposure to the American, and particularly West Coast, pop star lifestyle.
To see the full impact of being on the road and snorting his way across America, take a look at David Yentob's documentary Cracked Actor from the same year, which shows in shocking detail what touring the US whilst dealing with a rehabilitating cocaine addiction had done to Bowie.
It is not a pretty picture, as opposed to the man on the satellite link here, in this video.
On the back of Cracked Actor (which had been, to be fair, shot during 1974), you would expect Bowie to be a drooling, yabbering caricature of a strung-out rock star at this point, plonked down for his transatlantic interview with the waspish Harty. But no.
In fact, quite the reverse.
Sharp, twinkly-eyed and arch to the ceiling, particularly in the face of Harty's bemusing attempt to connect with the singer, Bowie is a man in the moment and in control of his words and actions throughout this slightly awkward encounter. He is also (and again, regardless of Harty's showbiz schtick), interested in having a meaningful conversation about something, anything, despite Harty's harrying questions about Bowie's mother and supposed otherworldliness.
How rude.
Bowie is a delicate, fascinating and pretty flower in this video, at a tipping point creatively and in terms of his career progression, moving away from his early 70s rock star persona(s) and about to appear on the big screen in Nick Roeg's beguiling sci-fi movie (the promotion of which is the heart of this interview). But Bowie is also neither no fool nor lost in the show business undergrowth during his time batting off Harty's at times skating questions.
Harty, on the British side of the Atlantic for this encounter, seems both confused and fascinated by what he sees and hears, as he has every right to be. It is a classic example of what happens when the show (Bowie, obviously) confusingly meets the business (Hartley, one question away from utter bewilderment throughout this interview), purely because that's the way the music and movie industry works, and both of these gentlemen know it.
It's inevitable, unavoidable and, in its slightly awkward and entirely beguiling way, also rather thrilling. It may not be a great meeting of minds or entertaining television, but it is fascinating.
And also rather charming.
The original movie franchise has both bite and intelligence.
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