Politicians beware as the public awakens from its Covid dream state.

The release of Spielberg's critically-acclaimed movie came at a telling moment during the Balkan Civil Wars.

The organisers of the Ballon d'Or awards seem to think so, but are they right?

How Covid-19 showed us what we have really become.

A cable music channel has something of an impact.

The hit Washington drama remains sharp, witty and moving.

It's a show with a solid moral core, balanced with a realistic portrayal of politics, power and Los Angeles policing.

Between 2002 and 2003 RI:SE had two drastic launches but fewer viewers. Not perhaps the channel's finest hour(s).

Italy's 1958 Eurovision entry remains wonderful (even if most people think it's called Volare).

A hot favourite going into the final, the Spanish entry turns out to be even hotter on the night.

You can see why Lulu had to be prodded onto the stage to sell this song for the UK.

A disco beat political statement from the electropop duo.

Clever, funny and charming, Sleeper added some much-needed cheek to the UK pop scene.

Even if you have never heard them before.

Catching the moment, The Smiths are dancy, excitable and thrilling.

Having found an unlikely home on Broadway, Bruce Springsteen is now back in the spotlight for all the right reasons.

A sassier and smarter diva re-emerges with an iconic album featuring a gay anthem (or two).

The blockbuster franchise starts out terrifying before becoming confused and mystifying.

A camp, silly and entertaining shuffle down nostalgia lane for those who have no memory or experience of 50s Americana.

A druggy, confusing, visually splendid mediation on humanity, the nature of the universe, life, and all that stuff.